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That session led to another important connection in Colin’s career.
It is an opportunity for us to reflect on the language and ideas that represented each year.
Through the years, Bains talent, respect, and generosity opened the doors for many other studio guitarists, arrangers, and musicians.
Bain was playing with the Phil Moore band, when a record date for bebop.
Over the next 32 years they worked on many recordings, T. Miles’ group had been booked at another jazz club in L. Victor surprisingly declined, and Miles hired Herbie Hancock. He became a drum teacher at North Texas State University from 1982-84.
When Miles and the Band got to the club for a sound check there were some people there from some kind of board that said Tony, who was only 16 at the time, was too young to play in such a place! As a member of the rhythm section, Colin got to play for guest artists Duke Ellington, Count Basie, Dizzy Gillespie, Sarah Vaughan, Mel Torme, and June Christy, among others. He played most week-ends with Red Garland at a club in Dallas.Joe Morello came to Australia on a tour with the Dave Brubeck Quartet.